History

School’s Out: A Postdoc’s Life
(Year I)

March, 2011 · By Justin Bengry

Wow, is it really the end of the (Canadian) semester? Well, almost. Classes end next week, my students’ final is a week later, I’m at a conference by the end of the month, a stop at home, and then Europe one more week after that. Whew…not a moment too soon!

Everyone here is feeling the strain, and straining for the relief that the end of term promises. The winter has been unseasonably cold and long in Saskatoon. Many of us are looking forward to research trips abroad. And of course, grading responsibilities and other duties tend to hit hardest at the end of the term.

Reflecting on the year behind me though, I’ve gained so much at the University of Saskatchewan. I’m surrounded by generously supportive colleagues who have never wavered in helping me adjust to the unfamiliar life of a junior scholar. I can’t speak highly enough of our Chair, support staff, History Department faculty and grad students, and my fellow postdocs, all of whom have welcomed me and answered innumerable questions and requests with poise and kindness. My postdoc supervisor, a kind and gentle elder scholar, has become a mentor and friend. And with their collective help I’ve gained professional experience, credibility, increased my publishing output, and laid the foundations for a potential future in academia. I owe them more than I can express, and this blog post is in part a thank-you.

But this year has also been a challenge, and I definitely feel I’ve needed the entire year to settle in to Saskatoon. When I arrived I looked forward to having the best of both worlds as a postdoc: I could interact with the faculty while still relating to the graduate students. In reality, it wasn’t so simple, and the postdoc doesn’t immediately fit in either group. That’s the part you have to learn on the ground. A postdoc is (at least at first) a solitary experience. It takes a painfully long time to build up relationships and connections in a new department when you’re neither student nor professor. I’ve felt completely welcomed in my department from the first day, but it really is only in the last month or two that I have really felt a part of the department.

Teaching plays a big role in building relationships and sustaining that feeling of being part of something. My own work and research is largely independent, but teaching is a collaborative exercise. I’ve welcomed the advice of current profs, discussed teaching strategies with grad students, and simply been in the department more as an instructor. Without teaching this term, I might be further along in my research and revisions, but I’d also be more dislocated and detached from any intellectual or other community at the university.

A postdoc, however, really is the most incredible opportunity, particularly these days as competition for professional positions in academia becomes ever more fierce. But future employment aside, a postdoc is also an amazing opportunity to evaluate your own goals and values. How does academia look from the inside when you’re no longer a student? How does it feel to be at the front of the class with no safety net or anyone to defer to?

The smartest things the organizers of my current postdoc did was to make it two years long. If it were ending now, I’d feel as if the rug were being pulled out from under me just as I was gaining balance. I’m incredibly fortunate, having built these connections and friendships, professional skills and intellectual output, still to have a second year to continue forward. So, here’s to A Postdoc’s Life, Year II!

(To be continued…)

This blog was originally published on History Compass Exchanges on
31 March 2011.

Publishing your Dissertation

March, 2011 · By Justin Bengry

A few weeks ago the University of Saskatchewan Department of History held a “Publishing your Dissertation” workshop. Organized by the graduate students, the workshop was an important opportunity to treat grad students not just as students but as junior historians, as future professionals. And the benefit was not limited just to them, the postdocs were avid participants as well. None of us are writing dissertations and manuscripts purely to earn a credential, but rather as a first step in a professional trajectory that will include publication and dissemination of our research.

The most important and inspiring statement of the day was a comment made by our department Chair, Valerie Korinek. She concluded by assuring the audience that they had already made the first step to publishing their manuscripts simply by participating in the workshop. By attending, by engaging, we had taken ourselves and our work seriously on a professional level, and this was truly the first step to publishing our work as professional historians.

I was inspired by Prof. Korinek’s comments more than I expected.

The workshop included a variety of speakers, and should be a model for similar events at other universities. One postdoc spoke of the experience of revising his dissertation into a manuscript and the process of seeking a publisher. A junior professor who was currently involved in press negotiations described her more advanced relationship with a publisher. And finally our department chair spoke from the perspective of a published author and also as a senior historian. She described her successes, what she’d do differently, and what we needed to do to position ourselves as professional historians. We also heard from executive editors from the University of Manitoba Press who relayed to us their guidelines and what they looked for in a publishable manuscript.

I’ve been sitting on my dissertation for a year or so now. Partly because I was devoted to looking for employment, and partly because I needed a rest, I just haven’t returned to it till recently. But in the last six months I’ve made some small revisions, done a bit of extra research, and asked scholars outside my dissertation committee to read it and offer feedback. So, I’ve been thinking about the next step, but until the workshop I was unable to make the leap. Anxiety, fear of rejection, uncertainty about my own skills maybe, all of these fears kept me from moving forward until now.

But I already knew which press was the best fit for my project. Even though the Manitoba editors were helpful, I knew that my project and priorities fit better with a large US university press. I researched the press’s online presence, so I also knew the other titles in its series, the editorial contact, and the submission requirements. I didn’t know what goes into a book proposal, but I learned that at the workshop. The UBC Press even gives examples of successful book proposals. (Read them, they are invaluable guides.)

So, using these as a model, I wrote my own book proposal, asked a former professor for a letter of introduction to the executive editor, and threw caution to the wind. Now, the press is interested in my work, I have a schedule for draft submission, and a goal. I also feel more and more like a professional historian with something interesting and important to say.

Perhaps I flatter myself, but I hope some of you will read this post, check out the UBC Press submission examples, and then write up your own book proposal. Maybe you’ll send it off to a publisher. And maybe you’ll get a positive response too. Good luck!

This blog was originally published at History Compass Exchanges on
17 March 2011.

Is Wikipedia the Devil? Or the Devil we Know?

March, 2011 · By Justin Bengry

Students rely on Wikipedia. Professors can pretend that their threats of Fs on assignments matter, but in reality it offers little deterrent. Students can and do weave facts, information, opinions and interpretations that they find online into their papers. If the material seems reasonable, or general, or cited elsewhere, it might not even draw our attention, particularly when we have to grade 50 or 75 or 90 term papers on a weekend. What is the solution?

One answer, probably the most common, is to scold and threaten. We tell our students that Wikipedia is an inappropriate and unacceptable source for historical research and writing. We threaten them with Fs and rewrites. Another answer is to explain to students why Wikipedia is an unreliable source. It lacks appropriate documentation of sources, and is written by individuals with uncertain research skills who base entries largely on sometimes-dubious secondary material. And then we threaten them with Fs and rewrites. But is there a third solution? We know our students use Wikipedia. Can we use this to our advantage? Can we teach them about online sources and how to determine the credibility of what they read and discover?  Can we undermine their reliance on Wikipedia, while at the same time use it as a teaching tool?

All term I’ve told my students that Wikipedia is an inappropriate source for university work, and that recourse to it in their work is forbidden. This seemed to work, and their term paper proposals and other writings have so far remained fairly clean. Then I read the midterms. All material necessary for complete answers to all midterm questions was available in lectures, documents, and text readings. But when I graded the midterms, I began to find unexpected references to statistics and details I was unfamiliar with appearing in more than one exam. I googled particular terms and discovered that even when provided with all materials necessary for a complete A-range response on the exam, my students still used Wikipedia as a study tool. And they clearly made notes that they then memorized, preferring the statistical “facts” to the focus on interpretation that I emphasized.

After frustration and disappointment passed, I thought about what I could do. Forbidding Wikipedia is only a partial success, and impossible to enforce completely. Promising to deliver instant Fs on any work relying on it seems too draconian. Certainly there has to be something to learn here, something that we can apply to the classroom?

Over at the Cliotropic blog Shane Landrum has one idea. Noticing that Women’s History was significantly underdeveloped on facebook, Shane is exploring the idea of assigning Wikipedia building and cleanup assignments:

If you teach history courses on women, gender, or sexuality, or on the history of any racial or ethnic minority in the United States, it’s worth considering adding a Wikipedia assignment to your syllabus. … Students could learn a lot about what we know and how we know it from editing the articles, and I think it also would teach them to be more skeptical the next time they try to use Wikipedia as a reference.

As Shane points out, others are already building similar assignments in exciting ways. A historian of ancient Rome has worked out many of the logistics:

I’ve used the “stubs” feature of Wikipedia to generate a list of 120 topics relating to ancient Roman civilization that need full articles. Then I’m requiring the 120 students in my upcoming Roman Civilization class to each write one article. This will hopefully teach them how to do original research in the library on obscure, narrowly focused topics and then create something of lasting value to others. The students will also be required to each review three of their fellow students’ articles in order to learn about the collaborative editing process. I’m a little nervous about its success, but I’m hoping to be part of the solution to the issues raised by Wikipedia, rather than contributing to the problems.

I’m convinced that there’s something to this. I’m wary of validating Wikipedia as a legitimate source through assignments like this, but I can see the immediate value offered by giving students the opportunity to do original research for publication in a venue they can already identify with. And maybe if they realize that the people writing entries are no more expert than themselves, they’ll have a greater awareness of the risks of using Wikipedia as a source.

This blog was originally published at History Compass Exchanges on
3 March 2011.

Interview: Paul Deslandes on the History of Male Beauty

February, 2011 · By Justin Bengry

Paul Deslandes, an Associate Professor of History at the University of Vermont, is a scholar of modern Britain and the history of gender and sexuality. He has published widely on the history of masculinity, male sexuality and British education. Deslandes is the author of Oxbridge Men: British Masculinity and the Undergraduate Experience, 1850-1920. His current research explores the history of male beauty in modern Britain.

In his recent History Compass article “The Male Body, Beauty and Aesthetics in Modern British Culture,” Deslandes explored the historical significance of male beauty. Across studies of sport and physical culture, disability and WWI disfigurement, and queer history, he argues, awareness and understanding of beauty and aesthetics offer insights not only to histories of masculinity but histories of British society as a whole. For this reason, Deslandes argues, historians must pay greater attention to physical appearance, value placed on male beauty, and the adornment and manipulation of the male body to better understand the British past.

I had the opportunity to interview Professor Deslandes about the arguments in his History Compass piece, its broader implications, and place within his current research. To take a breather from interviews, one can play games such as 벳위즈.

In your History Compass piece you exhort historians to pay closer attention to questions of aesthetics, appearance and body adornment. What do these issues offer to historians of gender generally and masculinity specifically?

On a basic level, paying attention to the aesthetics of the attractive man, masculine physical appearance, and male body adornment (the focus of my History Compass article) reminds us that obsessions with beauty affected men and women equally in the past. Of greater concern to me, of course, is the way in which a focus on the physicality of gender expression might allow us to think more systematically not only about Judith Butler’s, now well-known, concepts of performativity but also about the ways in which gender and beauty ideals were literally inscribed on the face and the body. For historians of masculinity, who in recent years have turned their attention to reconstructing the ‘lived experience’ of male gender identities, the study of physical appearance and the personal experience of beauty and ugliness might help us to understand how militarism, athleticism, and imperialism (three areas that historians of masculinity have explored in great detail) influenced standards of attractiveness and personal gender expression. Finally, examining languages of beauty and ugliness (and, by extension, the dynamics of personal attraction) might allow historians of gender to examine more fully how our subjects expressed desire, even in source material that might, on the surface, appear to be wholly unrelated to sexuality.

What can fuller understandings of male aesthetics and beauty contribute to other historians who explore the “history of science, race and war, and … British society as a whole”?

I see great potential in these areas of study. Explicit and implicit references to beauty permeate the writings of nineteenth and early twentieth century biologists, physiognomists, phrenologists, and ‘racial scientists’. While some scholars have published innovative and nuanced studies of these fields (I am thinking here, most notably, about Sharonna Pearl’s recent book About Faces: Physiognomy in NIneteenth-Century Britain), relatively few have paid significant attention to the language of physical attractiveness (and the aesthetic comparisons that were made between ‘superior’ and ‘inferior’ peoples) in the massive volume of books, pamphlets, and articles that Victorian and Edwardian scientists produced. Similarly, while historians of eugenics have touched on some of these themes in recent studies, new histories of the eugenics movement will, in the future, need to pay much closer attention to aesthetics and beauty. Finally, historians of war stand to gain much by paying greater attention to beauty, in a similar manner to how Ana Carden-Coyne has explored these subjects in her recent book, Reconstructing the Body: Classicism, Modernism, and the First World War. Histories of wartime propaganda, injury and disability, military medicine, post-war memorials, and, even, the battle experience would all be enriched in substantial ways by paying closer attention to the aesthetic languages and experiences of combat, death, and disfigurement.

In your History Compass article you refer to youth, particularly in regard to men’s magazines. How might agedness also inflect our understandings of and research into the history of masculinity?

The vision of masculine beauty that dominated in the period under consideration in my article was one in which youth was valorized and celebrated–in advertisements, beauty manuals, magazines, photographs, and, later, film–as the ideal of physical attractiveness. This does not, of course, mean that physical appearance was not of concern to middle-aged and elderly men. In fact, an entire industry of beauty products for men, intended to eradicate baldness, correct poor posture, and hide or eliminate belly fat, were directed at male consumers over the age of forty. Historians of masculinity must, in my opinion, take seriously the aging process and the impact that it has had on male understandings of the self and impressions of physical appearance. While some historians of old-age have deliberated on these issues, I see great potential in the study of the middle-aged. Men in this age group were (and still are) often the most reflective historical subjects, precisely because they were forced to confront graying hair and growing paunches, and the sense of displacement that these physical experiences produced. In thinking about masculinity, it is also necessary to take very seriously intergenerational relations and tensions, as I attempted to do in my book Oxbridge Men: British Masculinity and the Undergraduate Experience, 1850-1920. Relations between men of different age groups allow us to understand how concepts of masculinity were contingent not only on class, racial, ethnic, religious, or sexual identities but also on one’s stage of life.

The history of masculinity is now a valid subfield among an established cohort of scholars. Where do you see it going in the future?

I have been extremely heartened by the growth of scholarship in this area of study, much of it very good. Historians working in the field have tackled a broad range of new subjects in recent years. Homosocial institutions continue to garner considerable attention but in ways that reveal not only the relational nature of gender but also the rituals, symbols, and everyday experiences of members. Some of this work has produced new insights about the relationship between men and domesticity (here I am thinking about Amy Milne-Smith’s work on gentlemen’s clubs) or encouraged scholars to rethink exemplars of British masculinity (most notably the Royal Air Force flyer during the Second World War-the subject of Martin Francis’s new book The Flyer: British Culture and the Royal Air Force, 1939-1945). I am also encouraged by the number of historians of British politics who have chosen to focus on masculinity in their considerations of governing styles and campaign rhetoric. The field continues to be enriched by practitioners of what some have called the ‘New Queer History’. The emphasis, in much of this work, on the connections between sexual desire and fantasy (as well as actual sexual practices) and certain masculine types, styles, or poses (I am thinking here about the ubiquitous guardsman) has yielded a number of very important insights.

In the future, I hope to see more studies that mine personal diaries, letters, and memoirs for evidence of the ‘lived experience’ of masculinity. As this sort of deep research is completed, our picture of masculinity is bound to become both more complete and more complex. Particularly important will be efforts to reconstruct the experiences of men with non-normative sexual desires and also those who were neither white nor middle-class. I would also like to see historians do much more on male/female relationships (both romantic and non-romantic) and pursue more detailed examinations of the history of heterosexuality. One area that I am particularly excited about (and which has taken off more fully in the United States than it has elsewhere) is the field of transgender history. We stand to learn much about masculinity as social construct, lived experience, and cultural practice by examining the lives of subjects whose gender identity and/or expression was different from their biological or birth sex. As is only fitting for a historian of male beauty, I see great potential in the future for those who are interested in studying masculinity as an aesthetic expression. A corollary to this, of course, is an emerging field that deserves further consideration–the material culture of gender. By examining the accoutrements of gender that were required by men to shave, dress their hair, bath, and prepare their bodies to be clothed, we stand to learn much more about the relationship between often nebulous concepts of identity or subjectivity and the very tangible world of products and objects.

How does this piece on the significance of male beauty fit in with your current research?

Writing this piece provided me with an opportunity to reflect on the state of the field, historiographically speaking. I am in the process of writing a book that examines the culture of male beauty in Britain from the 1840s to the present. This project begins with the rise of photography as a cultural practice and ends with a consideration of the impact of the internet on both conceptions of masculine beauty and the material culture of attractiveness and physical fitness in twenty-first century Britain. While preoccupations with physical fitness figure into this book, this is not principally a study of the physical culture movement or athleticism (areas that have been ably covered in studies by Michael Anton Budd and Ina Zweiniger-Bargielowska). My study departs from this approach, in part, by focusing much more directly on the male face. It also, however, attempts to provide more comprehensive coverage (and, hence, an overarching narrative) of masculine attractiveness by exploring topics ranging from the Victorian beauty industry to the rise of the teenage fan magazine in the 1950s and 1960s to gay pornography in the 1970s and 1980s. Along the way, the book I am writing will narrate individual stories about figures like the late nineteenth- century beauty entrepreneur Alexander Ross, the First World War poet Rupert Brooke, facially-disfigured soldiers, the plastic surgeon Harold Gillies, the twentieth-century artist Keith Vaughan, and David Beckham. The focus in this book is on showing how the study of male beauty can illuminate larger themes in British history while also establishing how standards of facial and bodily attractiveness changed or remained the same over a one-hundred and sixty year period.

This post was originally published at History Compass Exchanges on
17 February 2011.

Where we fail our students: Writing Skills

February, 2011 · By Justin Bengry

I firmly believe that one of the great benefits of an education in history is the development of writing skills. I strive for that in myself, and encourage it in my students. Writing skills will continue to benefit them beyond my classroom, in other disciplines, and beyond the academy. I’m certainly not alone in this belief, and almost universally I hear from other professors, lecturers, and TAs how important writing skills are to them as well. But what do we really do about it? We mark up papers, we make ourselves available for consultation, and we direct students to university writing centres. Is that really enough?

But doing more comes with its own pressures. I realized this recently when I decided to devote an entire lecture period to discussing writing issues. Initially I planned only to devote 15-20 minutes to addressing the most egregious writing problems I discovered in recent student assignments. But by the time I created slides with examples, I realized that more than half the class period would be required simply to go through them all, leaving inadequate time for “real content”—as in the history part.

I went back and forth all day, worrying that I was somehow doing my students a disservice by devoting less time to EU formation or Soviet politics or whatever else was scheduled that week. The importance of the “real content” of history has been so ingrained into us, I realized, that I felt like I was somehow cheating, or not doing my job, because I was going to spend an entire class period helping students with writing concerns, and working with them to build their written communication skills.

Many of us put hours into grading, where we correct grammar and spelling errors, suggest ways of clarifying arguments, and highlight awkward writing so that students can later improve it. How much does this accomplish? Do students really look closely at these suggestions or incorporate them into their work? Short of assigning drafts and revisions, it sometimes seems that there is little we can do to help students improve their writing skills.

What I realized is that if we value writing skills, and if we truly believe that improving our students’ written communication skills is one of the goals of history education, we need to work actively toward that goal. It’s not enough to correct papers and expect students to studiously incorporate suggestions into work in their next course when it’s another professor’s problem. Nor is it sufficient to shuffle them off to the writing centre (though these are valuable and often underutilized resources). Instead we have to make the teaching of strong writing skills part of our own project as well.

In smaller courses, or larger courses with TAs, we can ask students to work on a paper throughout the term, handing in drafts and revisions, each contributing to their grades. We can also reward genuine effort and writing improvement in their grades as well. In courses like mine which are officially too small for TAs but too large for everyone to submit multiple drafts, we can devote lecture time to writing skills, and turn some class time over to actual writing exercises. At the moment I devote one day a week to document discussion, but in the future, I plan to turn one of those classes each month over toward writing development.

Too often we fail our students in this area. They earn poor or failing grades because they are unable to express themselves effectively. But too often we also fail to teach them the skills the need to be able to communicate better. What have you done to focus on writing skills in your classroom? As a student what have you found most useful? How do we make a history education about both content and skills?

This post was originally published at History Compass Exchanges on
3 February 2011.

Re-teaching Gender and Sexuality

December, 2010 · By Justin Bengry

Issues related to homosexuality are currently at the forefront of public discourse. Globally, but particularly in the United States, marriage equity, military service, queer youth and bullying are not just matters of policy debate, but have engaged popular concern and action as well. Seattle columnist Dan Savage’s recent ‘It Gets Better Project’, for instance, has captured an extraordinary degree of public interest, using short video clips of ordinary people, celebrities and global figures to help draw attention to bullying and suicides among queer youth.

But it is another short online video, titled ‘{THIS} is Reteaching Gender and Sexuality’, which is in part a criticism of the ‘It Gets Better Project’, that challenges us to reconsider our understandings of sexuality while drawing attention to the plight of queer youth. In the ‘Reteaching’ video, queer youth appear in their own right, speaking for themselves, demanding immediate social and cultural change, not just the promise of something better somewhere down the road. But far more than draw attention to bullying and structures of oppression, they want us instead to recalibrate how we define sexuality and sexual identities. As two speakers put it, ‘I can like boys and girls. … I can be none of the above’.

So how does this relate to history? Well, we can be part of the re-teaching project, in fact, we already are.  In our case, it’s not re-teaching, it’s simply telling the histories of our subjects in the context of their own worlds, rather than through the limitations or needs of our own.

I recently reviewed Barry Reay’s New York Hustlers: Masculinity and Sex in Modern America. Reay’s main argument is that the world of hustlers (male prostitutes) and trade (men who had sex with other men without identifying as gay) illuminates how  sexual practices and identities   throughout much of  the twentieth century challenge rigid heterosexual-homosexual binarisms. Reay positions himself against scholars who overlook this rich sexual fluidity and flexibility of the mid twentieth century in favour of narratives that lead only to the creation of a recognizably modern gay identity.

Other scholars have identified sexual flexibility among working-class men and military men across the twentieth century in Britain and America. But such studies still tend to be couched in terms of understanding how we got to modern understandings of gay identity, an identity defined as wholly different and separate from heterosexuality. Reay instead follows the lives of men who fail to neatly fit these categories. Nor do they conveniently remain consistent in their sexual practices over a lifetime. The fluidity of their sexual object choices, in fact, sound remarkably similar to the queer youth described above.

Reviewing this book made me think about how we can teach (or re-teach) gender and sexuality. Reay’s study need not be confined to gender, sexuality or queer history courses. His work offers insights into urban history, twentieth-century America, histories of crime, migration and ethnicity.

Gender and sexuality should, and must, appear in courses other than those devoted wholly to gender and sexuality. But so too should religion and faith, military and war, economics and commerce, ethnic and minority groups, and the list goes on. Of course we can’t do the fullest justice to each of these in every course, but we can create a culture of inclusivity in the classroom. And inclusivity applies to students as well as historical actors. Ultimately, including one can create a place for the other.

Clearly categories which organize our world are changing, but categories that organize our teaching need to change too.

This post was originally published at History Compass Exchanges on
17 December 2010.

Why (and how) do we teach history?

November, 2010 · By Justin Bengry

One of my responsibilities as a postdoc at the University of Saskatchewan is to teach one course per year. This isn’t entirely new to me. I TAed for a dozen years, and was the instructor of record for a course last year at the University of California. But I’m still pretty junior in terms of running my own classes.

In anticipation of teaching a course in twentieth-century European history this coming term, I’m thinking about how I want to structure the course, organize themes, and what I want to impart to my students. Essentially, the purpose of the course will affect its structure. But what is the purpose of the course? Why do we teach history? And how does this affect our delivery?

These are questions I’ve struggled with throughout graduate school, and now beyond. I want to nurture in my students an engagement and passion with the subjects and themes that have drawn me to history: the power of lived experience, the importance of minority positions to broader social concerns, and the possibility of positive change. But is that all I want my students to take from my classes? No.

What’s perhaps even more important, I believe, are the skills they can learn in a history class. Students learn to critically engage with sources by asking questions about who created them and for what purposes. They also learn how to communicate effectively, strengthening their oral communication skills in seminar situations, and honing their written communication skills in essays and exams. Students also build their critical thinking skills as they are asked to evaluate historical situations, events, and individuals’ motivations. They need to grapple with understanding the forces of change and continuity, and the competing interests which direct them.

So this brings me back to the class I’m planning. If I want students to take best advantage of my course to gain and improve their skills, how can I best facilitate that?

I’m very ambivalent about the lecture model of education. Part of this is because I have so little experience giving lectures, but also because I believe it too easily allows students to remain passive rather than active learners. That isn’t to say that lectures don’t have a role in education, allowing students the opportunity to gain insights and direction from experts in a particular field. And we’ve all certainly had excellent lectures from whom we’ve gained a lot. But I think they are limited in what they can offer most students.

I believe strongly in the seminar model, which I’ve used very successfully in my past teaching experience. My students learned a great deal from close reading and discussion of sources and documents—and so did I. That course, however, included only about a dozen students, an ideal number for engaged and active learning. In January, I’ll be teaching more than 50, far too many to sit around one table.

So my solution is to hybridize, creating a combination of lecture and seminar opportunities. Since we will meet three times a week, I’m planning to devote two days to lectures, which will frame the material, establish common background, and create a base upon which we can further explore particular themes. Fridays, then, will be turned over to self-directed groups who will discuss pre-circulated questions based on primary and secondary readings related to that week’s lectures. There is no way to engage all 50 students at once in a seminar, so groups will comprise 6-8 students, and a rotating group leader who will facilitate conversation. I will circulate, observe, answer questions, and interject only as needed.

I’m excited about this model: a compromise which allows me to work effectively with 50+ students, but which also creates and environment where each one has to engage with sources and communicate his or her thoughts. Since I truly believe that the benefit derived from studying history isn’t always about the content, but rather about the skills we teach students, this model seems a stronger method to achieve that.

But I’m curious to hear how others have handled these medium sized courses that are too large to be true seminars, but small enough to offer some opportunity to go beyond traditional lectures to promote active and engaged learning. What have you done? What has succeeded, and what has failed?

This post was originally published at History Compass Exchanges on
5 November 2010.

A Postdoc’s Life: Can you publish too much?

October, 2010 · By Justin Bengry

I’ve written before on the issue of publishing, and whether graduate students should actively publish their work. Consensus would seem to show that yes, they should, so long as they do so strategically and effectively without compromising the timely completion of their own degrees.

But what about postdocs? We’ve already finished our degrees. We don’t necessarily have a concrete deliverable (dissertation) expected of us at the conclusion of our contracts. What should postdocs consider when thinking about publishing more articles, or even a monograph?

This is a concern of mine for several reasons right now. I have two peer-reviewed articles already in print, another that is forthcoming, and I am thinking about submitting a fourth. At the same time, I want to start thinking about whipping my manuscript into shape to get that all-important first book out there. I’ve been soliciting advice on both these issues for some time, and have been given a great deal to think about, and to balance, as I try to navigate my postdoctoral path.

The first issue is actually not unlike that encountered by graduate students. If you are spending all your time churning out articles, reviews, and other writing, you might not leave yourself time to revise your manuscript. Now, of course this varies from discipline to discipline depending on the relative importance of articles and monographs, but in history, a book counts for a lot. And if you never get to it, or you end up giving away all your chapters as articles, you are potentially jeopardizing future opportunities that a book might offer.

The other issue, the one that caught me more off guard, is timing. When should you seek to get a book contract? When should you aim for your book to be published? (Remember of course that from submission to publication we’re still talking in terms of years of lag time and continued revision and preparation).

I was advised by one professor to seek out a book contract as soon as I could. It would make me more competitive for future postdocs and that golden dream, the tenure track assistant professorship. But, she warned, once I had the contract, linger on it and negotiate as much time as I could before final submission and publication. The danger, she advised, was having a book in print before getting that first job. Disrupting the natural order of things in this way could have multiple effects.

Of course a book, particularly a successful one, is a great boost to one’s professional credibility and could increase chances of landing that job. But, it could also backfire, she worried, advancing one too far down a career trajectory without yet even having a career. If a book is a common requirement for tenure, she warned, having a book in print before getting even a first job could disrupt the normal hiring process.

Similarly, another professor at another institution warned me to avoid publishing my monograph too soon. He worried that, depending on the institution where I might be hired, the requirements for tenure would only count from the time I would be hired. Pre-employment publications could help me land the job, but might not be counted toward advancement and promotion once hired, effectively necessitating the speedy production of a second monograph in short order!

So, here I am enjoying the first months of my first postdoc. I don’t know whether this will be followed by another postdoc, an academic job, or paths I haven’t yet fully considered. But I am considering writing my book proposal and starting down the path toward its future publication. For those of you in this position, or those who have lived through it, what have you been advised? What are your plans? Are you anxious about publishing too much, or too soon?

This post was originally published at History Compass Exchanges on
25 October 2010.

Location, Location, Location: Does Environment Affect Your Work?

October, 2010 · By Justin Bengry

We write a lot on the History Compass Exchanges about tools, methods and issues relevant to scholars undertaking major projects. It’s something we’re all working on and struggling with, whether it be the completion of a dissertation, revisions of an article, or the drafting of a book manuscript. Jean Smith has asked, for example, whether we can write our dissertations in “15 minutes a day.” Jean has also identified the integral link between thinking and writing. That piece has struck a chord with me this week as I struggle to find a place to think, a place to work. As I’ve been settling into a new city, snuggling into my own apartment for the first time in years, and visiting home for Thanksgiving, I’ve become acutely aware of how my own work environment profoundly affects my ability to think and to write.

Where should I work? I struggle to determine how much time to spend at the university and how much time to work from home. As a postdoc, I am expected to spend a significant part of my time at my university office. But, because it is in another building, isolated from the History department, I find myself gravitating toward working at home. At home, I’ve created a warm and inviting space where my references are near at hand, and plenty of tea is available. Even the lighting is more conducive to effective work – natural sunlight punctuated by a good desk lamp, as opposed to harsh fluorescent bulbs overhead. I’m old fashioned, I guess. I like the feeling of working in a quiet private library, rather than an impersonal office.

But beyond these work/home struggles, I’ve become even more aware of how important my surroundings are for effective work completion as I visit my childhood home for Thanksgiving. My own apartment is organized around a few key possessions and is relatively minimal (but for the hundreds and hundreds of books). My university office, on the other hand, is mostly defined by my office-mates’ possessions. And my parents’ home is a jumble of clutter. I find myself loathe to work at the office, and virtually incapable of anything productive in my parents’ home.

So this week has been an interesting opportunity to observe my own tendencies with a certain degree of self-awareness across these three sites. On the one hand I feel somewhat a failure for being unable to buckle down and get into my work while visiting my hometown. But I’ve also felt like a cheater in my new city, eschewing my university office for the comforts of my own little flat. I’m  grateful, however, for the awareness this comparison has offered me about my own work habits. Why is it necessary to fight these tendencies? Instead of lamenting where I cannot work, why not focus on being effective where I can work?

How does your environment affect you and your work? Have you found ways to overcome an inability to focus in new environments and spaces? Ultimately, where do you work best?

This post was originally published at History Compass Exchanges on
12 October 2010.

Head of the (middle) class?

September, 2010 · By Justin Bengry

The Guardian reported today on the fear that the humanities were becoming increasingly gentrified. Reports in Britain show students from lower-income backgrounds avoiding programs like history and philosophy in favour of career-oriented studies. Why?

The study shows a fascinating, and terrifying, situation. Not only are low-income students systemically barred from higher education and advanced degrees on account of their economic resources. But we are simultaneously creating a culture around the humanities where the lowest income students are unable to take same the risk as their more affluent colleagues to pursue degrees in history and other humanities disciplines.

The study upon which the article was based spoke to enrollments and class issues in the UK, but it felt familiar even to me despite having been raised and educated to MA level in Canada and then to the PhD in the United States. The article’s discussion of working-class students’ fear of studies that might not lead in any obvious direction spoke to my own educational history.

I loved the humanities, and excelled in them throughout secondary school. But what could I do with an English degree or a History degree? With that in mind I found a compromise: I would study languages (German) and business for an international management degree. This worked for a time. I enjoyed studying German, and learning to communicate in another language opened up conceptual worlds to me I hadn’t imagined. But it was a still a compromise. The enjoyment I derived from studying German balanced against the loathing I felt for most of my business courses.

In the end I dropped out of business school to undertake studies in History. But even then, after two further years of study, I still feared I’d never find employment with the material I enjoyed, and so I left the humanities and returned to business. After many more flip flops and combined degrees I ended up completing degree requirements in all three areas: German, History, and Management. But History won as I soon went on to an MA. But some of the same concerns and struggles followed me there, as they have with other working-class colleagues who went on to graduate studies in History.

In Britain, the Guardian reports, the question of class and education is particularly significant because tuition rates are widely expected to be increased dramatically over the next few years. Increased tuition rates will, naturally, be felt strongest by those least able to pay them. And even if student funding sources are expanded, this does little to overcome what appears to be a mental obstacle preventing non-elite students from seeing the humanities as a viable option.

But what about North America where tuition rates are already on the rise? What about my former institution, the University of California, where tuition rates are growing astronomically to help offset the system-wide financial disaster? Under these kinds of circumstances, how do we maintain access for all to humanities studies?

But it’s not really about access. Grants, scholarships, and loans can be expanded for the lowest income students, after all. How do we actually convince them that the humanities are in fact a viable option, that they offer career paths, that they contribute more than ideals. And then, how do we create an academy where we can mean it, and believe it ourselves?

This post originally appeared at History Compass Exchanges on
27 September 2010.